Black Eames Lounge Chair with Ottoman by Charles & Ray Eames for sale
Item ID: 341576
Item Description
Beautiful Eames Lounge Chair with Ottoman. Black Shell and black Leather. Vitra production from the late 90`s.Excellent near mint Condition !
www.inside-room.com
Item Details
Eras: 1900s / 20th century
Styles: Mid-Century
Materials: Metals, Wood, Cover, Aluminium, Painted wood, Plywood, Leather
Quantity: 1
Condition: Fully Restored
Design History
Designer: Charles & Ray Eames (United States )
Design year: 1956
Maker: Vitra (Switzerland)
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Dealer |
Inside-Room
Address: Behringstr. 2b , 63303 Dreieich , Germany
Phone: +49 (0) 6074 8033434
Website: www.inside-room.de
Opening hours: By appointment
Contact this seller
SOLD
1 670 Lounge Chair and 671 Ottoman, lounge chair and ottoman by Charles & Ray Eames typically sells between
USD 2,751 - USD 7,862
Change Currency* This is an indicative market value, based on item(s) sold on auctions and by dealers in the last 12 months. The price for an individual item(s) may deviate from this indicative price, for many reasons. Factors such as rareness, condition and provenance all affect the price. Furthermore, item(s) sold by Dealers are typically refinished to good or perfect condition while item(s) sold on auctions may often need to be refinished or reupholstered.
Designer
Charles & Ray Eames Ray and Charles Eames are two of the most important designers of the 20th century. Early in their careers together, Charles and Ray identified the need for affordable, yet high-quality furniture for the average consumer - furniture that could serve a variety of uses. For forty years the couple experimented with ways to meet this challenge, designing flexibility into their compact storage units and collapsible sofas for the home; seating for stadiums, airports, and schools; and chairs for virtually anywhere. Their chairs were designed in four materials - molded plywood, fiberglass-reinforced plastic, bent and welded wire mesh, and cast aluminum. An ethos of functionalism informed all of their furniture designs. "What works is better than what looks good," Ray said. "The looks good can change, but what works, works." Their colleagues were Harry Bertoia, Eero Saarinen and Florence Knoll. The Eames' collaborated with Saarinen on a molded-plywood chair for a competion at MOMA 1940, and won two prizes. Charles and Rays interest in new techniques led them to experiment with fiberglass reinforced plastics with a one-piece fiberglass-shell chair, which was much admired. They worked closely with the manufacturer Herman Miller throughout the fifties and sixties.
Maker
Herman Miller Herman Miller was founded 1923 and began manufacturing traditional residential furniture and became a leader in modern furniture in the 1930s and 1940s. By the early 1950s, although still a small company, Herman Miller had gained a worldwide following for its modern furniture designs. Herman Miller's belief in design as a way to solve significant problems for people, stemming from the pragmatic view of the Bauhaus, has been interpreted by all its designers working for them such as Gilbert Rohde, George Nelson, Charles and Ray Eames, Bob Prost and Don Chadwick. This belief continues with many other of today's leading designers from around the world. Some of their renown productions are the lounge chair LWC (1945), armchair DAW (1950), and the lounge chair 670 (1956) all designed by Charles and Ray Eames.
Template
670 Lounge Chair and 671 Ottoman, lounge chair and ottoman by Charles & Ray Eames. The Eames Lounge Chair and ottoman, correctly titled Eames Lounge (670) and Ottoman (671) were released in 1956 after years of development by designers Charles and Ray Eames for the Herman Miller furniture company. It was the first chair the Eames designed for a high-end market. These furnishings are made of molded plywood and leather. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art.







